{"id":221591,"date":"2025-04-26T21:34:00","date_gmt":"2025-04-26T21:34:00","guid":{"rendered":"https:\/\/www.webdo.tn\/fr\/blog\/2025\/04\/26\/cannes-2025-le-jury-et-la-selection-des-courts-metrages-et-de-la-cinef\/"},"modified":"2025-05-21T08:54:49","modified_gmt":"2025-05-21T08:54:49","slug":"cannes-2025-le-jury-et-la-selection-des-courts-metrages-et-de-la-cinef","status":"publish","type":"post","link":"https:\/\/www.webdo.tn\/fr\/actualite\/culture\/cannes-2025-le-jury-et-la-selection-des-courts-metrages-et-de-la-cinef\/221591\/","title":{"rendered":"Cannes 2025 – Le Jury et la S\u00e9lection des courts m\u00e9trages et de La Cinef"},"content":{"rendered":"
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Le Festival de Cannes a d\u00e9voil\u00e9 la composition du jury et la s\u00e9lection officielle des courts m\u00e9trages et de La Cinef, sa section d\u00e9di\u00e9e aux films d\u2019\u00e9cole. Pour cette 78e \u00e9dition, la r\u00e9alisatrice allemande Maren Ade, connue notamment pour Toni Erdmann<\/em>, pr\u00e9sidera le jury charg\u00e9 d\u2019attribuer la Palme d\u2019or du court m\u00e9trage ainsi que les trois prix de La Cinef. Elle sera accompagn\u00e9e de quatre personnalit\u00e9s venues d\u2019horizons et de disciplines vari\u00e9s : l\u2019Am\u00e9ricain Reinaldo Marcus Green, r\u00e9alisateur de King Richard<\/em> ; la com\u00e9dienne et chanteuse fran\u00e7aise Cam\u00e9lia Jordana ; l\u2019Espagnol Jos\u00e9 Mar\u00eda Prado, ancien directeur de la Filmoteca Espa\u00f1ola ; et le cin\u00e9aste croate Neboj\u0161a Slijep\u010devi\u0107. Ensemble, ils auront la t\u00e2che d\u00e9licate de d\u00e9partager 11 courts m\u00e9trages en comp\u00e9tition et 16 \u0153uvres issues des meilleures \u00e9coles de cin\u00e9ma internationales.<\/p>\n

\u00a0<\/p>\n

Une comp\u00e9tition dense, marqu\u00e9e par la diversit\u00e9<\/strong><\/p>\n

S\u00e9lectionn\u00e9s parmi 4781 films visionn\u00e9s, les 11 courts m\u00e9trages en lice pour la Palme d\u2019or refl\u00e8tent une grande diversit\u00e9 d\u2019origines, de styles et de genres. Neuf sont des fictions et deux des films d\u2019animation. On y compte cinq films r\u00e9alis\u00e9s par des femmes, une parit\u00e9 partielle qui t\u00e9moigne d\u2019un engagement croissant, quoiqu\u2019encore in\u00e9gal, pour une meilleure repr\u00e9sentation f\u00e9minine.<\/p>\n

Parmi les titres en comp\u00e9tition, Arguments in Favor of Love<\/em> de Gabriel Abrantes, d\u2019une dur\u00e9e de 9 minutes, promet une proposition singuli\u00e8re, comme souvent dans l\u2019\u0153uvre de ce cin\u00e9aste portugais habitu\u00e9 des festivals. Le r\u00e9alisateur palestinien Tawfeek Barhom, quant \u00e0 lui, provoque d\u00e9j\u00e0 la curiosit\u00e9 avec I\u2019m Glad You\u2019re Dead Now<\/em>, un titre qui ne laisse pr\u00e9sager aucun compromis. D\u2019autres noms attirent \u00e9galement l\u2019attention, comme la Fran\u00e7aise Martine Froissard avec Hypersensible<\/em>, ou encore la r\u00e9alisatrice portugaise In\u00eas Nunes qui propose A solid\u00e3o dos lagartos<\/em>, litt\u00e9ralement \u00ab la solitude des l\u00e9zards \u00bb.<\/p>\n

Le jury remettra la Palme d\u2019or du court m\u00e9trage le samedi 24 mai 2025, lors de la c\u00e9r\u00e9monie du Palmar\u00e8s du Festival.<\/p>\n

\u00a0<\/p>\n

La Cinef : une vitrine de la cr\u00e9ation \u00e9tudiante mondiale<\/strong><\/p>\n

Cannes n\u2019oublie pas la rel\u00e8ve : avec La Cinef, il met en lumi\u00e8re la cr\u00e9ativit\u00e9 des \u00e9tudiants en cin\u00e9ma venus du monde entier. Pour cette 28e \u00e9dition, 16 films ont \u00e9t\u00e9 retenus sur plus de 2700 propositions. On y retrouve 13 fictions et 3 films d\u2019animation, dont trois proviennent d\u2019\u00e9coles invit\u00e9es pour la premi\u00e8re fois : Escola das Artes \u2013 UCP (Portugal), Super16 (Danemark) et Estonian Academy of Arts (Estonie). C\u2019est aussi la toute premi\u00e8re fois qu\u2019un film estonien int\u00e8gre cette s\u00e9lection.<\/p>\n

La diversit\u00e9 des pays repr\u00e9sent\u00e9s est remarquable : de l\u2019Argentine \u00e0 la Cor\u00e9e du Sud, en passant par la Roumanie, l\u2019Allemagne, l\u2019Inde ou encore le Japon, les r\u00e9cits propos\u00e9s forment un kal\u00e9idoscope de regards sur le monde contemporain. Parmi les titres s\u00e9lectionn\u00e9s, Bimo<\/em> d\u2019Oumnia Hanader, \u00e9tudiante de la Cin\u00e9Fabrique (France), c\u00f4toie First Summer<\/em> de Heo Gayoung (KAFA, Cor\u00e9e du Sud) et Ginger Boy<\/em> de Miki Tanaka (ENBU Seminar, Japon), un film de 48 minutes qui s\u2019annonce comme l\u2019un des plus longs jamais pr\u00e9sent\u00e9s dans cette section.<\/p>\n

Notons \u00e9galement la pr\u00e9sence de Le continent somnambule<\/em> de Jules V\u00e9sigot-Wahl, issu de La F\u00e9mis (France), qui prolonge la tradition fran\u00e7aise de la fiction d\u2019auteur dans cette s\u00e9lection.<\/p>\n

Les prix de La Cinef seront remis le 22 mai 2025, lors d\u2019une c\u00e9r\u00e9monie en salle Bu\u00f1uel, suivie de la projection des \u0153uvres prim\u00e9es.<\/p>\n

\u00a0<\/p>\n

Un jury international aux sensibilit\u00e9s crois\u00e9es<\/strong><\/p>\n

Le choix de Maren Ade pour pr\u00e9sider ce jury n\u2019est pas anodin. Avec une filmographie exigeante et reconnue, la cin\u00e9aste allemande incarne un cin\u00e9ma europ\u00e9en rigoureux et sensible. \u00c0 ses c\u00f4t\u00e9s, Reinaldo Marcus Green apporte une perspective ancr\u00e9e dans le cin\u00e9ma am\u00e9ricain contemporain, tandis que Cam\u00e9lia Jordana offre un regard d\u2019artiste pluridisciplinaire, attentive aux enjeux soci\u00e9taux. Jos\u00e9 Mar\u00eda Prado, gr\u00e2ce \u00e0 sa longue exp\u00e9rience institutionnelle, et Neboj\u0161a Slijep\u010devi\u0107, dont le travail documentaire a \u00e9t\u00e9 plusieurs fois prim\u00e9, compl\u00e8tent ce panel avec des sensibilit\u00e9s compl\u00e9mentaires.<\/p>\n

\u00a0<\/p>\n

LA COMP\u00c9TITION DES COURTS M\u00c9TRAGES<\/u><\/strong><\/p>\n

    \n
  • ARGUMENTS IN FAVOR OF LOVE (DISPUTES EN FAVEUR DE L’AMOUR)<\/em><\/strong> Gabriel Abrantes – 9′<\/li>\n
  • ALI<\/em><\/strong> Adnan Al Rajeev – 15′<\/li>\n
  • I’M GLAD YOU’RE DEAD NOW<\/em><\/strong> Tawfeek Barhom – 13′<\/li>\n
  • AGAPITO <\/em><\/strong> Arvin Belarmino et Kyla Danelle Romero – 15′<\/li>\n
  • FILLE DE L’EAU<\/em><\/strong> Sandra Desmazi\u00e8res – 15′<\/li>\n
  • HYPERSENSIBLE<\/em><\/strong> Martine Froissard – 9′<\/li>\n
  • DAMMEN<\/em><\/strong> Gr\u00e9goire Graesslin – 15′<\/li>\n
  • THE SPECTACLE<\/em><\/strong> B\u00e1lint Keny\u00e8res – 15′<\/li>\n
  • NVHAI (FILLES)<\/em><\/strong> Zhaoguang Luo et Shuhan Liao – 14′<\/li>\n
  • A SOLID\u00c3O DOS LAGARTOS<\/em><\/strong> In\u00eas Nunes – 15′<\/li>\n
  • AASVO\u00cbLS (VAUTOURS)<\/em><\/strong> Dian Weys – 15′<\/li>\n<\/ul>\n

    \u00a0<\/p>\n

    LA S\u00c9LECTION DE LA CINEF<\/u><\/strong><\/p>\n

      \n
    • O P\u00c1SSARO DE DENTRO<\/em><\/strong> Laura Anahory -Escola das Artes – UCP – Portugal – 5′<\/li>\n
    • PER BRUIXA I METZINERA<\/em><\/strong> Marc Camardons – ESCAC – Espagne – 24′<\/li>\n
    • TRES<\/em><\/strong> Juan Ignacio Ceballos – UCINE – Argentine – 24′<\/li>\n
    • MATALAPAINE<\/em><\/strong> Helmi Donner – AALTO University – Finlande \u00a0– 21′<\/li>\n
    • BIMO<\/em><\/strong> Oumnia Hanader – Cin\u00e9Fabrique – France \u00a0– 23′<\/li>\n
    • TALK ME<\/em><\/strong> Joecar Hanna \u00a0– NYU – \u00c9tats-Unis – 19′<\/li>\n
    • FIRST SUMMER<\/em><\/strong>\u00a0 Heo Gayoung\u00a0– KAFA – Cor\u00e9e du Sud – 30′<\/li>\n
    • M\u00c5SKE I MARTS<\/em><\/strong> Mikkel Bj\u00f8rn Kehlert – Super16 – Danemark – 24′<\/li>\n
    • WINTER IN MARCH<\/em><\/strong>\u00a0 Natalia Mirzoyan \u00a0– Estonian Academy of Arts – Estonie – 16′<\/li>\n
    • MY GRANDMOTHER IS A SKYDIVER<\/em><\/strong>\u00a0 Polina Piddubna \u00a0– Filmuniversit\u00e4t Babelsberg Konrad Wolf – Allemagne – 13′<\/li>\n
    • 12 MOMENTS BEFORE THE FLAGRAISING CEREMONY<\/em><\/strong> Qu Zhizheng\u00a0– Beijing Film Academy – Chine – 16′<\/li>\n
    • ETHER<\/em><\/strong>\u00a0 Vida Skerk – NFTS – Royaume-Uni – 15′<\/li>\n
    • FURSECURI SI LAPTE<\/em><\/strong> Andrei Tache-Codreanu – UNATC \u00ab\u00a0I. L. Caragiale\u00a0\u00bb – Roumanie – 21′<\/li>\n
    • GINGER BOY<\/em><\/strong> Miki Tanaka – ENBU Seminar – Japon – 48′<\/li>\n
    • A DOLL MADE UP OF CLAY<\/em><\/strong>\u00a0 Kokob Gebrehaweria Tesfay\u00a0– Satyajit Ray Film & Television Institute – Inde – 24′<\/li>\n
    • LE CONTINENT SOMNAMBULE<\/em><\/strong> Jules V\u00e9sigot-Wahl – La F\u00e9mis – France – 26′<\/li>\n<\/ul>\n

      \u00a0<\/p>\n

      Ne\u00efla Driss<\/strong><\/p>\n

      \"\"<\/p>\n

      \u00a0<\/p>\n<\/p><\/div>\n

      <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

      Le Festival de Cannes a d\u00e9voil\u00e9 la composition du jury et la s\u00e9lection officielle des courts m\u00e9trages et de La Cinef, sa section d\u00e9di\u00e9e aux films d\u2019\u00e9cole. Pour cette 78e \u00e9dition, la r\u00e9alisatrice allemande Maren Ade, connue notamment pour Toni Erdmann, pr\u00e9sidera le jury charg\u00e9 d\u2019attribuer la Palme d\u2019or du court m\u00e9trage ainsi que les […]<\/p>\n","protected":false},"author":3164,"featured_media":244355,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2594],"tags":[2630,2626,2930,2628,2627],"class_list":["post-221591","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-cannes-2025","tag-cinema","tag-courts-metrages","tag-festival","tag-festival-de-cannes"],"yoast_head":"\nCannes 2025 - Le Jury et la S\u00e9lection des courts m\u00e9trages et de La Cinef<\/title>\n<link rel=\"canonical\" href=\"https:\/\/www.webdo.tn\/fr\/actualite\/culture\/cannes-2025-le-jury-et-la-selection-des-courts-metrages-et-de-la-cinef\/221591\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cannes 2025 - Le Jury et la S\u00e9lection des courts m\u00e9trages et de La Cinef\" \/>\n<meta property=\"og:description\" content=\"Le Festival de Cannes a d\u00e9voil\u00e9 la composition du jury et la s\u00e9lection officielle des courts m\u00e9trages et de La Cinef, sa section d\u00e9di\u00e9e aux films d\u2019\u00e9cole. 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