{"id":221339,"date":"2025-04-17T22:25:00","date_gmt":"2025-04-17T22:25:00","guid":{"rendered":"https:\/\/www.webdo.tn\/fr\/blog\/2025\/04\/17\/cannes-2025-regards-neufs-et-voix-arabes-dans-les-selections-paralleles\/"},"modified":"2025-05-21T08:54:54","modified_gmt":"2025-05-21T08:54:54","slug":"cannes-2025-regards-neufs-et-voix-arabes-dans-les-selections-paralleles","status":"publish","type":"post","link":"https:\/\/www.webdo.tn\/fr\/actualite\/culture\/cannes-2025-regards-neufs-et-voix-arabes-dans-les-selections-paralleles\/221339\/","title":{"rendered":"Cannes 2025 – Regards neufs et voix arabes dans les s\u00e9lections parall\u00e8les"},"content":{"rendered":"
\n

\n\t\t\t\t\t\t\t\t\tLa 78\u00e8me \u00e9dition du Festival de Cannes qui se d\u00e9roulera du 13 au 24 mai 2025 s\u2019annonce dense et passionnante. Tandis que la s\u00e9lection officielle attire comme chaque ann\u00e9e tous les regards, les sections parall\u00e8les \u2014 la Quinzaine des cin\u00e9astes, la Semaine de la critique et l\u2019ACID \u2014 poursuivent leur mission essentielle : celle de faire \u00e9merger des regards nouveaux, libres et souvent plus audacieux. Malheureusement, cette ann\u00e9e seuls deux films arabes sont s\u00e9lectionn\u00e9s.\n\t\t\t\t\t\t\t\t<\/p>\n

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Comme l’avait annonc\u00e9 Thierry Fr\u00e9maux lors de la conf\u00e9rence de presse du 11 avril dernier, pour la commission artistique a examin\u00e9 plus de 2 900 longs m\u00e9trages pour choisir les films en s\u00e9lection officielle, signe d\u2019une production mondiale en constante inflation. M\u00eame dynamisme du c\u00f4t\u00e9 des sections parall\u00e8les.\u00a0 <\/span><\/span><\/p>\n

\u00c0 la Quinzaine des cin\u00e9astes, Julien Rejl a d\u00fb choisir 18 films parmi plus de 1 600 propositions. Pr\u00e8s de la moiti\u00e9 sont des premiers longs m\u00e9trages, preuve d\u2019un vrai engagement pour le renouvellement des voix.\u00a0 <\/span><\/span><\/p>\n

\u00c0 la Semaine de la critique, Ava Cahen et son \u00e9quipe ont vu 2 340 films pour n\u2019en retenir que 7 en comp\u00e9tition, avec 4 s\u00e9ances sp\u00e9ciales. Fait notable : 6 films sont r\u00e9alis\u00e9s par des femmes, ce qui tranche avec une \u00e9dition globalement moins paritaire.\u00a0 <\/span><\/span><\/p>\n

Quant \u00e0 l\u2019ACID, fid\u00e8le \u00e0 son identit\u00e9, elle soutient des \u0153uvres sans distributeur, souvent en marge, mais toujours singuli\u00e8res et n\u00e9cessaires.<\/span><\/span><\/p>\n

Deux films arabes \u00e0 ne pas manquer<\/strong><\/span><\/span><\/p>\n

\u00a0<\/p>\n

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La Vie apr\u00e8s Siham<\/em><\/strong>, est sign\u00e9 par le r\u00e9alisateur \u00e9gyptien Namir Abdel Messeeh<\/strong>. Projet\u00e9 dans la section ACID, ce film intime explore les limbes du deuil, de la m\u00e9moire et de la filiation. La disparition de sa m\u00e8re, Siham, pousse Namir \u00e0 entreprendre une qu\u00eate entre l\u2019\u00c9gypte et la France, pour recomposer les fragments d\u2019une histoire familiale marqu\u00e9e par l\u2019exil. L\u2019ombre de Youssef Chahine plane sur ce voyage cin\u00e9matographique qui m\u00eale douceur, douleur et humour, dans une d\u00e9marche documentaire profond\u00e9ment personnelle. Ceux qui se souviennent de La Vierge, les coptes et moi<\/em>, son premier film couronn\u00e9 du Tanit d\u2019Argent \u00e0 Carthage, esp\u00e8rent retrouver ici la m\u00eame sensibilit\u00e9 lucide, ancr\u00e9e dans un regard d\u2019enfant devenu adulte.<\/span><\/span><\/p>\n

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The President\u2019s Cake<\/em><\/strong>,<\/em> en provenance d\u2019Irak et s\u00e9lectionn\u00e9 \u00e0 la Quinzaine des cin\u00e9astes. R\u00e9alis\u00e9 par Hasan Hadi<\/strong>, dont c\u2019est le premier long m\u00e9trage, The President\u2019s cake<\/em> nous entra\u00eene dans l\u2019univers oppressant de l\u2019Irak de Saddam Hussein. \u00c0 travers le regard de la jeune Lamia, contrainte de pr\u00e9parer un g\u00e2teau pour l\u2019anniversaire du dictateur sous la menace implicite de repr\u00e9sailles, le film dessine une fresque \u00e0 la fois politique et po\u00e9tique, ancr\u00e9e dans les marais du sud irakien. Entre la tendresse d\u2019une relation avec sa grand-m\u00e8re et la violence d\u2019un syst\u00e8me o\u00f9 m\u00eame les enfants doivent faire preuve de ruse pour survivre, Hasan Hadi propose une \u0153uvre \u00e0 la fois d\u00e9licate et bouleversante. Ce conte r\u00e9aliste, o\u00f9 la figure du coq Hindi devient le compagnon de l\u2019innocence, offre \u00e0 Cannes une plong\u00e9e rare dans un pan peu explor\u00e9 du cin\u00e9ma arabe.<\/span><\/span><\/p>\n

Une ouverture francophone sur tous les fronts<\/strong><\/span><\/span><\/p>\n

Autre particularit\u00e9 cette ann\u00e9e : toutes les sections parall\u00e8les s\u2019ouvrent avec des films francophones.\u00a0 <\/span><\/span><\/p>\n

– L\u2019ACID commence avec L\u2019Aventura<\/em> de Sophie Letourneur, com\u00e9die d\u00e9cal\u00e9e sur la vie conjugale.\u00a0 <\/span><\/span><\/p>\n

– La Quinzaine des cin\u00e9astes d\u00e9bute avec Enzo<\/em> de Robin Campillo, projet initialement port\u00e9 par Laurent Cantet.\u00a0 <\/span><\/span><\/p>\n

– La Semaine de la critique met en lumi\u00e8re L\u2019Int\u00e9r\u00eat d\u2019Adam<\/em> de la cin\u00e9aste belge Laura Wandel, dont le premier long m\u00e9trage Un monde, avait \u00e9t\u00e9 s\u00e9lectionn\u00e9 dans la section Un certain regard en 2021 et y avait remport\u00e9 le Prix FIPRESCI.<\/span><\/span><\/p>\n

S\u00e9lections 2025 : la liste compl\u00e8te par section<\/strong><\/span><\/span><\/u><\/p>\n

    \n
  • Quinzaine des cin\u00e9astes\u00a0:<\/strong><\/span><\/span><\/li>\n<\/ul>\n

    – Enzo<\/em> de Laurent Cantet \/ Robin Campillo (film d\u2019ouverture)\u00a0 <\/span><\/span><\/p>\n

    – La Danse des renards<\/em> de Val\u00e9ry Carnoy\u00a0 <\/span><\/span><\/p>\n

    – La mort n\u2019existe pas<\/em> de Felix Dufour-Laperri\u00e8re\u00a0 <\/span><\/span><\/p>\n

    – L\u2019Engloutie<\/em> de Louise H\u00e9mon\u00a0 <\/span><\/span><\/p>\n

    – Kokuho<\/em> de Lee Sang-il\u00a0 <\/span><\/span><\/p>\n

    – Lucky Lu<\/em> de Lloyd Lee Choi\u00a0 <\/span><\/span><\/p>\n

    – Militantropos<\/em> de Alina Gorlova, Yelizaveta Smith, Simon Mozgovyi\u00a0 <\/span><\/span><\/p>\n

    – Girl on Edge<\/em> de Jinghao Zhou\u00a0 <\/span><\/span><\/p>\n

    – Classe moyenne<\/em> de Antony Cordier\u00a0 <\/span><\/span><\/p>\n

    – Miroirs N\u00b03<\/em> de Christian Petzold\u00a0 <\/span><\/span><\/p>\n

    – Les Filles d\u00e9sir<\/em> de Pr\u00efncia Car\u00a0 <\/span><\/span><\/p>\n

    – Dangerous Animals<\/em> de Sean Byrne\u00a0 <\/span><\/span><\/p>\n

    – Amour Apocalypse<\/em> d\u2019Anne \u00c9mond\u00a0 <\/span><\/span><\/p>\n

    – The President\u2019s Cake<\/em> de Hasan Hadi \ud83c\uddee\ud83c\uddf6\u00a0 <\/span><\/span><\/p>\n

    – Indomptables<\/em> de Thomas Ngijol\u00a0 <\/span><\/span><\/p>\n

    – Brand New Landscape<\/em> de Yuiga Danzuka\u00a0 <\/span><\/span><\/p>\n

    – Que ma volont\u00e9 soit faite<\/em> de Julia Kowalski\u00a0 <\/span><\/span><\/p>\n

    – Sorry, Baby<\/em> d\u2019Eva Victor (film de cl\u00f4ture)<\/span><\/span><\/p>\n

      \n
    • ACID\u00a0:<\/strong><\/span><\/span><\/li>\n<\/ul>\n

      – L\u2019Aventura<\/em> de Sophie Letourneur\u00a0 <\/span><\/span><\/p>\n

      – La Couleuvre noire<\/em> de Aur\u00e9lien Vernhes-Lermusiaux\u00a0 <\/span><\/span><\/p>\n

      – Drunken Noodles<\/em> de Lucio Castro\u00a0 <\/span><\/span><\/p>\n

      – Entroncamento<\/em> de Pedro Cabeleira\u00a0 <\/span><\/span><\/p>\n

      – Laurent dans le vent<\/em> de Anton Balekdjian, L\u00e9o Couture, Matt\u00e9o Eustachon\u00a0 <\/span><\/span><\/p>\n

      – A Light That Never Goes Out<\/em> de Lauri-Matti Parppei\u00a0 <\/span><\/span><\/p>\n

      – Nuit obscure – Ain\u2019t I a Child ?<\/em> de Sylvain George\u00a0 <\/span><\/span><\/p>\n

      – Put Your Soul on Your Hand and Walk<\/em> de Sepideh Farsi\u00a0 <\/span><\/span><\/p>\n

      – La Vie apr\u00e8s Siham<\/em> de Namir Abdel Messeeh \ud83c\uddea\ud83c\uddec\u00a0 <\/span><\/span><\/p>\n

        \n
      • Semaine de la critique\u00a0:<\/strong><\/span><\/span><\/li>\n<\/ul>\n

        – L\u2019Int\u00e9r\u00eat d\u2019Adam<\/em> de Laura Wandel (film d\u2019ouverture)\u00a0 <\/span><\/span><\/p>\n

        – Plan\u00e8tes (Dandelion\u2019s Odyssey)<\/em> de Momoko Seto (film de cl\u00f4ture)\u00a0 <\/span><\/span><\/p>\n

        – Ciudad sin sue\u00f1o (Sleepless City)<\/em> de Guillermo Galoe\u00a0 <\/span><\/span><\/p>\n

        – Imago<\/em> de D\u00e9ni Oumar Pitsaev\u00a0 <\/span><\/span><\/p>\n

        – Kika<\/em> de Alexe Poukine\u00a0 <\/span><\/span><\/p>\n

        – Left-Handed Girl<\/em> de Shih-Ching Tsou\u00a0 <\/span><\/span><\/p>\n

        – Nino<\/em> de Pauline Loqu\u00e8s\u00a0 <\/span><\/span><\/p>\n

        – Pee chai dai ka (A Useful Ghost)<\/em> de Ratchapoom Boonbunchachoke\u00a0 <\/span><\/span><\/p>\n

        – Rietland (Reedland)<\/em> de Sven Bresser\u00a0 <\/span><\/span><\/p>\n

        – Baise-en-ville<\/em> de Martin Jauvat (s\u00e9ance sp\u00e9ciale)\u00a0 <\/span><\/span><\/p>\n

        – Des preuves d\u2019amour (Love Letters)<\/em> d\u2019Alice Douard (s\u00e9ance sp\u00e9ciale)<\/span><\/span><\/p>\n

        Ne\u00efla Driss<\/strong><\/span><\/p>\n

        \u00a0<\/p>\n

        \"\"<\/p>\n

        \u00a0<\/p>\n<\/p><\/div>\n

        <\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

        La 78\u00e8me \u00e9dition du Festival de Cannes qui se d\u00e9roulera du 13 au 24 mai 2025 s\u2019annonce dense et passionnante. Tandis que la s\u00e9lection officielle attire comme ch…<\/p>\n","protected":false},"author":3164,"featured_media":241076,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2594],"tags":[2630,2626,2628,2627],"class_list":["post-221339","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-cannes-2025","tag-cinema","tag-festival","tag-festival-de-cannes"],"yoast_head":"\nCannes 2025 - Regards neufs et voix arabes dans les s\u00e9lections parall\u00e8les<\/title>\n<meta name=\"description\" content=\"La 78\u00e8me \u00e9dition du Festival de Cannes qui se d\u00e9roulera du 13 au 24 mai 2025 s\u2019annonce dense et passionnante. 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