{"id":217355,"date":"2024-11-03T13:47:00","date_gmt":"2024-11-03T13:47:00","guid":{"rendered":"https:\/\/www.webdo.tn\/fr\/blog\/el-gouna-2024-une-7eme-edition-record\/217355\/"},"modified":"2025-05-21T08:55:30","modified_gmt":"2025-05-21T08:55:30","slug":"el-gouna-2024-une-7eme-edition-record","status":"publish","type":"post","link":"https:\/\/www.webdo.tn\/fr\/actualite\/culture\/el-gouna-2024-une-7eme-edition-record\/217355\/","title":{"rendered":"El Gouna 2024 – une 7\u00e8me \u00e9dition record"},"content":{"rendered":"
\n

\n\t\t\t\t\t\t\t\t\tL’\u00e9dition 2024 du Festival du Film d’El Gouna (GFF) s\u2019est cl\u00f4tur\u00e9e en beaut\u00e9 avec une c\u00e9r\u00e9monie de remise de prix. Cette 7\u00e8me \u00e9dition a \u00e9t\u00e9 marqu\u00e9e par des records impressionnants avec 5 500 accr\u00e9ditations (aux environ de 800\/900 accr\u00e9ditations les ann\u00e9es pr\u00e9c\u00e9dentes) et 22 500 billets vendus, des chiffres in\u00e9dits qui t\u00e9moignent de l’influence croissante de ce festival. Amr Mansi, directeur ex\u00e9cutif du GFF, a attribu\u00e9 ce succ\u00e8s \u00e0 la contribution essentielle du \u00ab\u00a0Hub\u00a0\u00bb du festival, qui a grandement facilit\u00e9 l\u2019exp\u00e9rience des invit\u00e9s.\n\t\t\t\t\t\t\t\t<\/p>\n

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\u00a0<\/p>\n

La soir\u00e9e, riche en \u00e9motions, a \u00e9t\u00e9 pr\u00e9sent\u00e9e par Annabella Hilal, qui a soulign\u00e9 la force du cin\u00e9ma pour cr\u00e9er des liens, favoriser l\u2019empathie, et susciter des \u00e9changes culturels. Samih Sawiris, pr\u00e9sident du festival, et Amr Mansi, ont \u00e9galement pris la parole pour c\u00e9l\u00e9brer les r\u00e9ussites de cette \u00e9dition.<\/span><\/span><\/p>\n

Hommage aux ic\u00f4nes du cin\u00e9ma<\/strong><\/span><\/span><\/p>\n

Un hommage \u00e9mouvant a \u00e9t\u00e9 rendu \u00e0 feux Hassan Youssef et Mostafa Fahmy, en reconnaissance de leur contribution inestimable au cin\u00e9ma \u00e9gyptien. Leurs \u0153uvres ont marqu\u00e9 le cin\u00e9ma \u00e9gyptien et continuent d’inspirer les g\u00e9n\u00e9rations.<\/span><\/span><\/p>\n

Prix pour l’ensemble de leur carri\u00e8re \u00e0 Joana Hadjithomas et Khalil Joreige<\/strong><\/span><\/span><\/p>\n

Les artistes libanais Joana Hadjithomas et Khalil Joreige ont re\u00e7u le prestigieux Prix pour l\u2019ensemble de leur carri\u00e8re pour leur apport exceptionnel au cin\u00e9ma et \u00e0 l\u2019art contemporain. Leur \u0153uvre, explorant m\u00e9moire, histoire et narration, a \u00e9t\u00e9 salu\u00e9e par Marianne Khoury, qui a remis le prix, en mettant en avant leur approche unique de la narration.<\/span><\/span><\/p>\n

Introduction d\u2019un nouveau prix : \u00ab\u00a0Art Behind the Scenes\u00a0\u00bb<\/strong><\/span><\/span><\/p>\n

Le festival a introduit le prix \u00ab\u00a0Art Behind the Scenes\u00a0\u00bb pour honorer les m\u00e9tiers de l\u2019ombre tels que le montage, la conception de costumes et la composition musicale. Cette ann\u00e9e, le Prix de la Cr\u00e9ation a \u00e9t\u00e9 d\u00e9cern\u00e9 \u00e0 la costumi\u00e8re \u00e9gyptienne Nahed Nasrallah, tandis que les nominations annuelles ont mis en lumi\u00e8re le chef op\u00e9rateur Abdel Salam Mousa et le compositeur Ahmed El Sawy. La jury comprenait des figures comme Yousra, Marwan Hamed et Hend Sabry.<\/span><\/span><\/p>\n

Prix NETPAC et FIPRESCI<\/strong><\/span><\/span><\/p>\n

Le Prix NETPAC du Meilleur Film Asiatique a \u00e9t\u00e9 attribu\u00e9 \u00e0 We Are Inside<\/em> (Liban, Qatar, Danemark) de Farah Kassem, salu\u00e9 pour sa belle exploration de la relation p\u00e8re-fille. <\/span><\/span><\/p>\n

Le Prix FIPRESCI pour les premiers ou deuxi\u00e8mes longs-m\u00e9trages de r\u00e9alisateurs d’Afrique, d’Asie et d’Am\u00e9rique du Sud, a \u00e9t\u00e9 remport\u00e9 par Girls Will Be Girls<\/em> (Inde) de Shuchi Talati.<\/span><\/span><\/p>\n

Prix du public \u00ab\u00a0Cinema for Humanity\u00a0\u00bb<\/strong><\/span><\/span><\/p>\n

Le Prix du public pour le cin\u00e9ma de l\u2019humanit\u00e9, d\u00e9di\u00e9 aux films ayant un impact humanitaire, a \u00e9t\u00e9 attribu\u00e9 \u00e0 DISORDER<\/em>, une \u0153uvre bouleversante qui refl\u00e8te les r\u00e9alit\u00e9s complexes d\u2019une soci\u00e9t\u00e9 en crise. Ce film est compos\u00e9 de quatre segments r\u00e9alis\u00e9s par Lucien Bourjeily, Bane Fakih, Wissam Charaf et Areej Mahmoud.<\/span><\/span><\/p>\n

Prix El Gouna Green Star<\/strong><\/span><\/span><\/p>\n

Le Prix El Gouna Green Star, qui r\u00e9compense les films portant sur des probl\u00e9matiques \u00e9cologiques, a \u00e9t\u00e9 d\u00e9cern\u00e9 \u00e0 The Battle for Laikipia<\/em> de Daphne Matziaraki et Peter Murimi. Ce documentaire poignant explore les conflits li\u00e9s aux ressources au Kenya.<\/span><\/span><\/p>\n

Comp\u00e9tition des courts m\u00e9trages<\/strong><\/span><\/span><\/p>\n

Les r\u00e9compenses pour les meilleurs courts-m\u00e9trages ont \u00e9t\u00e9 d\u00e9cern\u00e9es comme suit : <\/span><\/span><\/p>\n

– Mention sp\u00e9ciale : Dawn Every Day<\/em> (\u00c9gypte) d\u2019Amir Youssef et Voiceless<\/em> (Suisse) de Samuel Patthey.<\/span><\/span><\/p>\n

– Meilleur court-m\u00e9trage arabe : A Promise to the Sea<\/em> (\u00c9gypte, Su\u00e8de) de Hend Sohail.<\/span><\/span><\/p>\n

– \u00c9toile de bronze : Ebb & Flow<\/em> (Liban, Qatar, \u00c9tats-Unis) de Nay Tabbara.<\/span><\/span><\/p>\n

– \u00c9toile d\u2019argent : How We Got Mother Back<\/em> (Portugal) de Gon\u00e7alo Waddington et An Orange from Jaffa <\/em>(Palestine, Pologne) de Mohammed Almughanni.<\/span><\/span><\/p>\n

– \u00c9toile d\u2019or : Upshot <\/em>(Palestine, Italie, France) de Maha Haj.<\/span><\/span><\/p>\n

Comp\u00e9tition Documentaire<\/strong><\/span><\/span><\/p>\n

Les laur\u00e9ats de la Comp\u00e9tition Documentaire sont :<\/span><\/span><\/p>\n

– Meilleur documentaire arabe : The Brink of Dreams<\/em> (\u00c9gypte, France, Danemark, Qatar, Arabie Saoudite) de Nada Riyadh et Ayman El Amir, et My Memory is Full of Ghosts <\/em>(Syrie) d\u2019Anas Zawahri.<\/span><\/span><\/p>\n

– \u00c9toile de bronze : A New Kind of Wilderness<\/em> (Norv\u00e8ge) de Silje Evensmo Jacobsen.<\/span><\/span><\/p>\n

– \u00c9toile d\u2019argent : Soundtrack to a Coup d’\u00c9tat<\/em> (Belgique, France, Pays-Bas) de Johan Grimonprez.<\/span><\/span><\/p>\n

– \u00c9toile d\u2019or : We Are Inside<\/em> (Liban, Qatar, Danemark) de Farah Kassem.<\/span><\/span><\/p>\n

Comp\u00e9tition des Longs-M\u00e9trages de Fiction<\/span><\/span><\/strong><\/p>\n

Dans la Comp\u00e9tition des Longs-M\u00e9trages de Fiction, les prix ont \u00e9t\u00e9 attribu\u00e9s comme suit :<\/span><\/span><\/p>\n

– Mention sp\u00e9ciale pour Charles Peccia Galletto dans My Everything<\/em> (France) d\u2019Anne Sophie Bailly, ainsi que pour Kani Kusruti et Preeti Panigrahi dans Girls Will Be Girls<\/em> (Inde, France, Norv\u00e8ge, \u00c9tats-Unis) de Shuchi Talati.<\/span><\/span><\/p>\n

– \u00c9toile de la meilleure actrice : Laura Wismar dans Salve Maria<\/em> (Espagne) de Mar Coll.<\/span><\/span><\/p>\n

– \u00c9toile du meilleur acteur : Adam Bessa dans Ghost Trail<\/em> (France, Allemagne, Belgique) de Jonathan Millet.<\/span><\/span><\/p>\n

– Meilleur film de fiction arabe : Thank You for Banking with Us!<\/em> (Palestine, Allemagne, Arabie Saoudite, Qatar, \u00c9gypte) de Laila Abass, et Who Do I Belong To<\/em> (Tunisie, France, Canada) de Meryam Joobeur.<\/span><\/span><\/p>\n

\"\"<\/p>\n

– \u00c9toile de bronze : Girls Will Be Girls<\/em> (Inde, France, Norv\u00e8ge, \u00c9tats-Unis) de Shuchi Talati.<\/span><\/span><\/p>\n

– \u00c9toile d\u2019argent : The Kingdom<\/em> (France) de Julien Colona.<\/span><\/span><\/p>\n

– \u00c9toile d\u2019or : Ghost Trail<\/em> (France, Allemagne, Belgique) de Jonathan Millet.<\/span><\/span><\/p>\n

Une c\u00e9r\u00e9monie festive pour clore l’\u00e9dition<\/span><\/span><\/strong><\/p>\n

La soir\u00e9e s\u2019est achev\u00e9e par une animation artistique, marquant la fin de cette 7\u00e8me \u00e9dition du Festival du Film d\u2019El Gouna, qui a r\u00e9affirm\u00e9 sa place de choix sur la sc\u00e8ne cin\u00e9matographique mondiale, c\u00e9l\u00e9brant les talents de demain et les voix novatrices du cin\u00e9ma contemporain.<\/span><\/span><\/p>\n

Communiqu\u00e9<\/strong><\/span><\/span><\/p>\n<\/p><\/div>\n

<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

L’\u00e9dition 2024 du Festival du Film d’El Gouna (GFF) s\u2019est cl\u00f4tur\u00e9e en beaut\u00e9 avec une c\u00e9r\u00e9monie de remise de prix. Cette 7\u00e8me \u00e9dition a \u00e9t\u00e9 marqu\u00e9e par des reco…<\/p>\n","protected":false},"author":3164,"featured_media":246178,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2594],"tags":[2626,5197,2628,3258,3259],"class_list":["post-217355","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","tag-cinema","tag-el-gouna-2024","tag-festival","tag-festival-du-film-del-gouna","tag-gff"],"yoast_head":"\nEl Gouna 2024 - une 7\u00e8me \u00e9dition record<\/title>\n<meta name=\"description\" content=\"L'\u00e9dition 2024 du Festival du Film d'El Gouna (GFF) s\u2019est cl\u00f4tur\u00e9e en beaut\u00e9 avec une c\u00e9r\u00e9monie de remise de prix. 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