{"id":188572,"date":"2020-04-03T11:24:00","date_gmt":"2020-04-03T11:24:00","guid":{"rendered":"https:\/\/www.webdo.tn\/fr\/blog\/quand-pierre-gassin-photographie-la-magie-de-kerkennah\/188572\/"},"modified":"2025-05-17T11:56:13","modified_gmt":"2025-05-17T11:56:13","slug":"quand-pierre-gassin-photographie-la-magie-de-kerkennah","status":"publish","type":"post","link":"https:\/\/www.webdo.tn\/fr\/actualite\/chroniques\/quand-pierre-gassin-photographie-la-magie-de-kerkennah\/188572\/","title":{"rendered":"Quand Pierre Gassin photographie la magie de Kerkennah"},"content":{"rendered":"

La mer, le ciel et la lumi\u00e8re fragile du soleil: ces photos de Pierre Gassin sont un hymne \u00e0 la beaut\u00e9.<\/p>\n

C’est \u00e0 Kerkennah que ce photographe fran\u00e7ais a r\u00e9alis\u00e9 cette collection en installant son dispositif \u00e0 diff\u00e9rentes heures.<\/p>\n

Les diff\u00e9rences de luminosit\u00e9 et le d\u00e9pouillement du paysage se conjuguent alors avec l’art du photographe pour aboutir \u00e0 des \u0153uvres limpides.<\/p>\n

Il faut regarder de pr\u00e8s les barques vues par Pierre Gassin pour r\u00e9aliser le grand art mis en mouvement par ce photographe.<\/p>\n

Dans ces \u0153uvres, tout est statique, fixe, comme si le temps \u00e9tait suspendu ou le paysage \u00e9ternel.<\/p>\n

Comme les natures fr\u00e9missantes d’un peintre qui qu\u00eaterait la permanence du paysage dans les lumi\u00e8res contrast\u00e9es.<\/p>\n","protected":false},"excerpt":{"rendered":"

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Parall\u00e8lement \u00e0 ses contributions dans la presse, il intervient r\u00e9guli\u00e8rement \u00e0 la radio et dans des espaces culturels, o\u00f9 il explore les enjeux li\u00e9s au patrimoine, \u00e0 l\u2019identit\u00e9 et aux transformations du monde contemporain. \u00c0 travers ses chroniques, Hatem Bourial propose une lecture sensible et approfondie de l\u2019actualit\u00e9, nourrie par une exp\u00e9rience journalistique et litt\u00e9raire reconnue. \ud83d\udd17 Facebook : https:\/\/www.facebook.com\/hatem.bourial.2025","sameAs":["https:\/\/www.facebook.com\/hatem.bourial.2025","https:\/\/fr.wikipedia.org\/wiki\/Fichier:Hatem_Bourial.jpg"],"knowsAbout":["Culture & patrimoine tunisien","Chronique soci\u00e9tale","Litt\u00e9rature & m\u00e9moire","Cin\u00e9ma & critique culturelle","Identit\u00e9 & mutations sociales"],"knowsLanguage":["Arabe","Fran\u00e7ais","Anglais","Italien","Polonais"],"jobTitle":"Journaliste, \u00e9crivain et chroniqueur culturel","worksFor":"Webdo","url":"https:\/\/www.webdo.tn\/fr\/actualite\/author\/hatem-bourial-2\/"}]}},"_links":{"self":[{"href":"https:\/\/www.webdo.tn\/fr\/wp-json\/wp\/v2\/posts\/188572","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.webdo.tn\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.webdo.tn\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.webdo.tn\/fr\/wp-json\/wp\/v2\/users\/3229"}],"replies":[{"embeddable":true,"href":"https:\/\/www.webdo.tn\/fr\/wp-json\/wp\/v2\/comments?post=188572"}],"version-history":[{"count":0,"href":"https:\/\/www.webdo.tn\/fr\/wp-json\/wp\/v2\/posts\/188572\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.webdo.tn\/fr\/wp-json\/wp\/v2\/media\/268260"}],"wp:attachment":[{"href":"https:\/\/www.webdo.tn\/fr\/wp-json\/wp\/v2\/media?parent=188572"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.webdo.tn\/fr\/wp-json\/wp\/v2\/categories?post=188572"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.webdo.tn\/fr\/wp-json\/wp\/v2\/tags?post=188572"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}